“Why didn’t they want them?” she asked. “You’re frightened,” the child continued in a passionate, low voice. “You think that people will talk about you and look down upon you. You oughtn’t to think about yourself. You ought to think only about him and his work. Nothing else matters.”!

It was all so sweet and restful. Religion had never appealed to her before. The business-like service in the bare cold chapel where she had sat swinging her feet and yawning as a child had only repelled her. She could recall her father, aloof and awe-inspiring in his Sunday black, passing round the bag. Her mother, always veiled, sitting beside her, a thin, tall woman with passionate eyes and ever restless hands; the women mostly overdressed, and the sleek, prosperous men trying to look meek. At school and at Girton, chapel, which she had attended no oftener than she was obliged, had had about it the same atmosphere of chill compulsion. But here was poetry. She wondered if, after all, religion might not have its place in the world—in company with the other arts. It would be a pity for it to die out. There seemed nothing to take its place. All these lovely cathedrals, these dear little old churches, that for centuries had been the focus of men’s thoughts and aspirations. The harbour lights, illumining the troubled waters of their lives. What could be done with them? They could hardly be maintained out of the public funds as mere mementoes of the past. Besides, there were too many of them. The tax-payer would naturally grumble. As Town Halls, Assembly Rooms? The idea was unthinkable. It would be like a performance of Barnum’s Circus in the Coliseum at Rome. Yes, they would disappear. Though not, she was glad to think, in her time. In towns, the space would be required for other buildings. Here and there some gradually decaying specimen would be allowed to survive, taking its place with the feudal castles and walled cities of the Continent: the joy of the American tourist, the text-book of the antiquary. A pity! Yes, but then from the aesthetic point of view it was a pity that the groves of ancient Greece had ever been cut down and replanted with currant bushes, their altars scattered; that the stones of the temples of Isis should have come to be the shelter of the fisher of the Nile; and the corn wave in the wind above the buried shrines of Mexico. All these dead truths that from time to time had encumbered the living world. Each in its turn had had to be cleared away. She knew the place. A sad group of dilapidated little houses forming three sides of a paved quadrangle, with a shattered fountain and withered trees in the centre. Ever since she could remember, they had stood there empty, ghostly, with creaking doors and broken windows, their gardens overgrown with weeds.

She had not told him of the Phillips episode. But she felt instinctively that he knew. It was always a little mysterious to her, his perception in matters pertaining to herself. “How did he feel?” he asked her, leaning forward. One evening it struck him that the milk-pail, standing just inside the window, had been tampered with. Next day he marked with a scratch the inside of the pan and, returning later, found the level of the milk had sunk half an inch. So he hid himself and waited; and at twilight the next day the window was stealthily pushed open, and two small, terror-haunted eyes peered round the room. They satisfied themselves that no one was about and a tiny hand clutching a cracked jug was thrust swiftly in and dipped into the pan; and the window softly closed.